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REVIEW
#1

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Bobbi
Lynn-Opportunity Street-Elf
I loved Earthquake though never owned it, went to
St Helens Rugby Club on one trip to the UK and one
of the guest DJ's was a young guy from Germany who
flipped Earthquake over and played Opportunity Street,
Awesome, I had to have it, nothing like a twoferone
record. |
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REVIEW
#2

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George
Smith-I've Had It-Turntable
Absolutely Incredible! This is the rarer stock copy
of this huge ballad by George on what is now a staple
of the rare soul movement. |
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REVIEW
#3

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Cajun
Hart-Big City-Warner Brothers
Huge vocal and arrangement reminiscent of Ray Charles
or Teddy Randazzo for a ridiculously low price. |
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REVIEW
#4

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The
Fantastic Johnny C-Don't Depend on Me-Phil L.A.
of Soul
Played infrequently as the machine turned out more
and more discoveries,however this is a great Philadelphia
sound that needs to be pulled out and dusted off
again.
Great big voice and one of those records with the
perfect pauses for claps to ricochet around the
dance floor. |
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REVIEW
#5

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Eddie
Parker-Body Chains-Prodigal
From 1975 and another Jack Ashford production, writing
credits include Lorraine Chandler and Jack Ashford.
Another inexpensive record that Richard Searling
has played on various outings including his radio
show. The distinct gritty gravelly voice of Eddie
Parker performing what we now describe as Crossover. |
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REVIEW
#6

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Minnie
Epperson-Grab Your Clothes-Peacock
One of the things with northern or rare soul is that
there is always the opportunity to "discover"
new sounds for yourself. I was going through The Soul
Club.org files and found this big Texas song, which
I had never heard before, absolutely incredible.
The power of the internet and a copy now sits in my
record box. I have always been a sucker for the big
break up songs, "I Walked Away", "Kiss
My Love Goodbye", "Isn't it Just a Shame",
this is another one of that genre. |
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REVIEW
#7

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Willie
Tee-Walking Up A One Way Street-Nola
The Atlantic copy was one of the first "originals"
I owned. I went to Val Shively's record store in Philadelphia
and he invited me into the back. The worst thing happened,
so many records and my mind went completely BLANK.
I only walked out with about 15 records thank goodness
this was one of them. Absolute class and I never get
tired of it. |
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REVIEW
#8

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Freddie
Williams-Name in Lights-Hollywood
Heard this for the first time at Lowton Civic Hall.
I had such a big gap between events that it was almost
a rebirth into the scene with regard to songs I had
either never heard or were wiped from my conscience.
Despite the label name, this is a Nashville sound. |
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REVIEW
#9

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Joe
King-Speak on Up-Prix
One of those songs with a tag line that gets inside
your head. A brilliant song from soulful Ohio. |
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REVIEW
#10

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Ann
D'Andrea-Don't Stop Lookin'-Jamie
I was flipping through records downstairs at the Casino
in the record bar when I first heard this tune. It
starts such a stormer, builds with Ann's crystal clear
voice and then the guitar rift lets you down again
ready to start all over again until the guitar finally
lets you go at the end. Pure Brilliance. |
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REVIEW
#11

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Irma
Thomas-What Are You Trying To Do-Imperial
A classic sound written by Allen Touissant and belted
out by Ms. Thomas. There was a great picture of Irma
on the back of The Soul Files compilation album; I
always imagine she was singing this song when the
picture was taken. |
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REVIEW
#12

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The Vibrating Vibrations-Surprise Party for
Baby-Neptune
A Gamble-Huff-Dozier production, with those immortal
names on a record how can it not be an incredible
sound. I was never sure why the Vibrations started
vibrating but this one will set your soul going in
the same direction with a great story of a party for
"Baby". |
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REVIEW
#13

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Dee
Clark-That's My Girl-Constellation
Chicago and the incredible sound of Dee Clark. Written
by himself, it is another one of those story type
songs, you can just imagine "his girl" watching
him record it. |
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REVIEW
#14

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Ruby
Johnson-Weak Spot-Volt
The agony of how Ruby Johnson feels about her man
is belted out, brilliant pauses, brilliant dancer.
Pure emotion, pure soul who could ask for more. |
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REVIEW
#15

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Flame
N King and the Bold Ones-Ho Happy Day N.Y.C.S Records
This was one of the tracks on the Sound of The Grapevine
Album that I almost wore through to the other side.When
it came up for auction in Discoveries magazine about
5 years ago I placed a $30 bid on it based on misinformation
and a typo (It should have been $300), I won it!. |
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REVIEW
#16

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First
Choice-This is the House Where Love Died-Scepter
Another of those break up songs again with that brilliant
riff at the beginning and in the middle, with classic
girlie vocals throughout. Right up there with the
other "House" song by Millie Jackson. |
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REVIEW
#17

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Gene
Chandler-There Was a Time-Brunswick
If you ever want to test the limits of your Achilles
tendons, throw some talc on the floor, and stomp your
way into pure heaven with this racer. Huge horns and
Mr. Chandler belting out the ultimate "dance"
song. |
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REVIEW
#18

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Sonji
Clay-Deeper in My Heart-American Music Makers
Churchill's Bar, just left of the armpit of Miami,
and Jeff Lemlich ending a brilliant set of rare soul
with this incredible ballad. Of course Jeff has the
story of how this is Cassius Clay's wife and how it
was cut before he changed his religion and became
a Muslim (now that's a zipped up anorak!). I could
not get over the soulfullness of the song and again
the Internet came to my rescue and now I have my own
copy to shuffle along to. |
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REVIEW
#19

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Martha
& The Vandellas One Way Out Gordy
Out with Dave Moore and Dave Bywell recently–this
song came up in conversation, almost immediately we
all chimed in with "I remember the night she
sang this acapella at Wigan Casino 'cos the band didn't
know the music". Three blokes, new found friends,
on a golf course in California some 20 years later
reminiscing about a night when we were all in the
same room and didn't know each other from Adam! The
power of Northern Soul! |
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REVIEW
#20
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Melinda
Marx-What-Vee Jay
Picked this one up for 25 cents from a used book store
in Raleigh NC. Big Wigan Casino sound for Judy Street
on Strider, written by HB Barnum himself, however
the arrangement for this is much bigger and more midtempo
than Judys ankle-breaker. |
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