 |
REVIEW
#1

CLICK on RECORD to LISTEN!
|
Bobby
Wisdom - The Handwriting's On The Wall - OutaSite
From the latter days of The Casino, Richard Searling
has just played Chris Bartley's - "I Go Out Of
My Mind", Maurice McCallister "Whatever Happened
ToYesterday" )Al Scott/Mr Soul) and you just KNOW
that this gem is coming up! I've only seen one original
and that was Ian Clarke's, many moons ago. The label,
as I recall is a Renfro subsidiary. Mine, unfortunately
is Gary Rushbrooke's old copy which is almost a plain
white label. The record itself is pure magic. Bobby
swoops into the song, the tempo is consistent all the
way through and by the second verse a few spins and
hand-claps are almost compulsory ! Now where did I leave
my Brut and beer towel? Oh yes, and it was covered up
as Billy Kennedy. |
 |
REVIEW
#2
CLICK on RECORD to LISTEN!
|
Brown Bombers - Wait For Me - Amazing
I remember John Manship listing this about 77/78,
for about a tenner ($20). A very scarce item that
which I'm led to believe is a big ticket item now.
John also mentioned that it was Al Hudson's first
record, although listening to the vocal l that's debatable.
The record just pounds along from the first beat,
stabbing brass and zipping strings propel this firmly
into the "stomper" category. Probably too
fast for today's dance floor but a hell of a record
nonetheless. |
 |
REVIEW
#3

CLICK on RECORD to LISTEN!
|
Betty
Wilson - I'm Yours - Dayco
Eddie Daye waved the baton and Donny Hathaway arranged
this Washington DC masterpiece. D.H.'s arrangement turns
this into a very sophisticated dance floor record. Betty's
sultry vocal alongside the lush string arrangement make
listening to this record a pure pleasure. I'd been chasing
this record for years and eventually had to pay a lot
for it. Don't make the same mistake I made, if you get
a chance to buy it , sell the house and go live in a
tent! |
 |
REVIEW
#4

CLICK on RECORD to LISTEN!
|
Geraldine
Curry - You're So wonderful - London House
Hailing from Newark, NJ comes this superior
girl group offering. Co-written by K. Ruffin,( George
Blackwell amongst others), and Be n Tate, records
like this are just waiting to happen at the right
venue. The song is perhaps a little too predictable
but Geraldine's voice and the constant cooing girls
would have most people giving this the "thumbs
up". |
 |
REVIEW
#5

CLICK on RECORD to LISTEN!
|
Chuck Holiday - Just Can't Trust Nobody" - Gloria
A huge record for DJ Soul Sam and others about
10 years ago. I'll be forever grateful to my old Mate
John Farrell from Worcester for selling me this. Unless
you've been imprisoned on the planet Zog for years,
I should imagine most UK fa ns will know this. But,
for those that don't, Chuck's lady has absconded with
his best friend and naturally he is now a little cynical.
Set at an easy dance paced tempo, with all the right
bits in the right places you can see why this record
is so sought after. Originally around in the Stafford
days for around 30 UKP ($60), mark it somehow lay dormant
for a long time. Tim Ashibende tracked Chuck down but
was told all the copies ended up in a thrift shop. The
flip side "I Still Love You" is almost as
good and in my humble opinion this 45 is THE Detroit
double sider, (And yes, that includes Darrell Banks).
The kind of record that everybody should hear at least
once in their lifetime as it's the kind of ecstacy you
can't get arrested for! |
 |
REVIEW
#6

CLICK on RECORD to LISTEN!
|
Rocky
Gil and The Bishops - It's Not The End - Tear Drop
Released on Heuy Meaux's Teardrop label, not the most
soulful record you'll ever hear but once you get past
the organ intro this really picks up steam. A drop in
tempo halfway through and then we're off again. Obtained
from DJ Soul Sam at Orwell a few years ago it's not
an easy find |
 |
REVIEW
#7

CLICK on RECORD to LISTEN!
|
Kell
Osborne - Small Things - New Bag
I remember having this on tape in 1977 and then Ian
Clarke gave it some turntable action at the Yate Allnighters.
Where it first got played I don't know but in the mid
70s this may well have gotten lost in the crowd so to
speak. I recall at the Cleethorpes Weekender about 6
years ago, just about every half decent sales box had
on in it for around the 650UKP ($1300) so a few must
have turned up. The record itself is, for the most part
great, apart from the annoying girl l chorus that slows
the tempo in places. In "Northern" terms poles
apart from Kell's other monster "Quicksand". |
 |
REVIEW
#8

CLICK on RECORD to LISTEN!
|
Barbara
Jean and The Lyrics - Why Weren't You There - Big Hit
Well know for being the other side of Thelma Lindsay
"Prepared To Love You" (Magic City). The quality
of the song is obvious having been released twice. Typically
uptempo Detroit all the way through. The Lyrics contribute
great harmonies. This is a quality soul record. |
 |
REVIEW
#9

CLICK on RECORD to LISTEN!
|
Barbara
Jean and The Lyrics - Any Two Ca n Play - Big Hit
Yes, it's the flip side of the one above and equally
worthy of a review. Twenty seconds in Barbara goes acapella
with no beat for about ten seconds which could kill
a floor for a DJ but that's a small price to pay for
the quality of this record. Once the musicians return
to the song, then nor mal service is resumed, the drummer
keeps the whole thing cooking and you can't help but
sing along with the chorus...hard to choose between
the two sides of an awesome double header! |
 |
REVIEW
#10

CLICK on RECORD to LISTEN!
|
Shame
Shame Shame - Classic Sullivans - Masterkey
I recall Tim Brown writing that Ginger used to play
this at Cleethorpes back in the 70s. You can see why.
Catchy breezy Chicago dancer with falsetto lead not
unlike the Impressions. Started climbing pricewise on
lists I see, so get one while you can. |
 |
REVIEW
#11

CLICK on RECORD to LISTEN!
|
Emory
and The Dynamics - Let's Take look At Our Life - Peachtree
I haven't heard every release on William Bell's label
but I'd be willing to bet that this the most "traditional"
Northern release on there. Twanging guitar intro then
the beat kicks in helped along by great brass work throughout.
Tight harmonies and interchanging lead vocals make this
a peach of a record. The cat # is 107 so I'm guessing
an early release , probably 69/70. |
 |
REVIEW
#12

CLICK on RECORD to LISTEN!
|
Cynthia and The Imaginary Three - That's What
I Am - Big Hit
Quite simply, yet another beautiful record from the
Detroit label. Midtempo quality dancer that floats along,
Cynthia's voice and the backing are spot on and that
gets you to wondering about the injustice of it all
when records like this, probably don't sell in more
than handfuls. |
 |
REVIEW
#13

CLICK on RECORD to LISTEN!
|
Skip
Jackson & the Shantons - I'm Onto You Girl - Dot-Mar
This record epitomizes a Blackpool Mecca record. Compulsive
dancer, easy to dance to finger snapper, a great chorus
and back ups, this winner has it all. Perhaps we've
all been spoilt for choice over the years when records
this good are forgotten. |
 |
REVIEW
#14

CLICK on RECORD to LISTEN!
|
Flash
McKinley - I'll Rescue You - Bombay
Big ticket collectors item from Chicago. Been well known
for many years, but always stayed elusive. Luckily,
well known Essex boy and reasonable record dealer "Shifty
" held this for me a few years ago. For our worldwide
friends who may not know this classic it's not a "typical"
Northern soul record. Wailing girls in the background,
some laid back (almost jazzy) piano and a subdued mid
tempo beat make this a "little different".
It certainly works though! Incidentally the writer credits
are Wilfred McKinley so unless it's a relative of his
you can imagine why he went with his somewhat more dynamic
nickname he? Can't imagine "Wilfred" cutting
it with the ladies? Can you? |
 |
REVIEW
#15

CLICK on RECORD to LISTEN!
|
Bobby
Hill - Tell Me You Love Me - LoLo
Tucked away on the other side of the awful oldie -"To
The Bitter End" this shows Bobby in a much better
light. Strong girl chorus and an excellent production
has seen this disc slowly climbing price over the years. |
 |
REVIEW
#16

CLICK on RECORD to LISTEN!
|
Differences
- Five Minutes - Mon'Ca
Staying with that Northern cum Crossover feel this was
always a difficult record to find, and even harder now
that it 's become sought after. From 1971, lush strings
and some nice guitar work illustrate how soul music
had become more sophisticated than eve n 5/6 years earlier. |
 |
REVIEW
#17

CLICK on RECORD to LISTEN!
|
Serena
Johnson - All Work And No Play - Big 2
Stafford regulars will no doubt remember the Vivalore
Jordan version on Task. More lightweight and certainly
faster (to my ears anyway), but this has a rather
"Souther n" feel to it. I bought this record
years ago from an old Mecca regular so I guess it
must have had plays there at sometime as it seems
perfect for that time. The song revolves around the
fact that Serena's hacked off with her domestic chores
and wants a little physical activity that night. If
her physique is anything like her voice then her old
man better step up to the plate! |
 |
REVIEW
#18

CLICK on RECORD to LISTEN!
|
Joseph
Webster - My Love Is So Strong - Crow
From Detroit I believe and probably the biggest record
in the UK a couple of years ago. Prominent guitar and
brass drive this along to create a record perfect for
anyone's dance floor. I first heard this off one of
the Scottish guys who was DJing in London at least ten
years ago. My old partner in crime, Dave Thorley, sold
me this for 60UKP ($120), but the good news is he's
still talking to me! |
 |
REVIEW
#19

CLICK on RECORD to LISTEN!
|
Detroit
Sound Of Friction - I'm Leaving You - Heavy Sound
Another Ex Cleethorpes spin, heavy brass presence throughout
and a lead voice not unlike Jerry Butler. Changes of
tempo might make this a little tricky for some dancers,
perhaps that's why it has stayed an underground collectors
item so long. The last copy I saw for sale was at Cleethorpes
when John Anderson had a green stock copy for sale at
500UKP ($1000), although that was a few years ago now. |
 |
REVIEW
#20
CLICK on RECORD to LISTEN!
|
Liberation
- Love Looks Good On You - SOA
The label says The Sound Of Atlanta, but you would swear
this was a Carolina beach record. The lead singer sounds
white but what the record lacks in blackness it makes
up in feel good factor! |
 |