Hi, my name is Tommy Potts and I was born in England in 1986. I've been listening to, and collecting soul records as far back as I can remember. I was first introduced to the music by my Dad, and it wasn't very long before I got the urge to start collecting my own records.

If I remember correctly, my first original soul 45 was The Montclair's “Hung Up on Your Love” which was given to me by Pat Brady, as a gift, when I was about nine. Around this time, I would help my Dad on the weekends at the record fairs. I remember he would pay me £10 a day, and that included loading the van at the house, unloading and reloading at the fair, plus looking after the sales tables all day!! I then built up my wages and spent it on records.

I did my very first DJ spot when I was 13 years of age. It was at a New Years Eve soul night, held at a local village hall, being run by Sean and Pete who run the Talk of the South Soul Club. This lead to my first DJ residency, at Talk of the South, in Luton. I remember I was DJ'ing there one night when Terry Davies was making a guest appearance. Terry came up to the decks and asked me if I would like to DJ for him at Prestwich. I had just turned 16 at that time. This gave me my big break. Richard Searling was at Prestwich that night and he asked me to join him at the Blackpool weekender. Andy McCabe was also there that night and he asked me to join him at a new venue he was starting called "Soultown.” That night I found my self with 3 DJ residencies, which meant I was behind the decks near on every weekend; Fridays, Saturdays & bank holiday Sundays, from that night onwards.

My most memorable DJ spot would have to be double decking with Richard Searling at the Ritz in Manchester. I think he wanted to keep an eye on me. I remember he let me do a full DJ set by myself at the next one. Whilst all this was going on, my Dad had set up a regular Soul Night in Los Angeles.

It was on one of the trips out to the States to DJ for him, that I met my wife to be, Nina. We are now married & living on the West Coast of America. I am record hunting full-time, apart from a couple of days a week when I’m trying to keep up with my college work.


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REVIEW #1
The Turks – The Bad Brought The Good (DJO)
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The Turks – The Bad Brought The Good (DJO)
This record has to be in my top five. One of the best Chicago male group sounds I’ve heard. Seriously under rated. Although not an extremely valuable record, it's a hard one to come by. Took me some searching to come across this one. Definitely one to keep your eyes open for. A record like this can only go up in value.
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REVIEW #2
The Appreciations – It’s Better To Cry (Sport)
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The Appreciations – It’s Better To Cry (Sport)
This is most likely one of a few records that I never get tired of listening to. You can tell just by listening to the record, hours were spent making it. The backing and lyrics are some of the best work to come out on a Northern Soul Detroit record. Pure class!

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REVIEW #3
The Wooden Nickels – Nobody But You (Omen)
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The Wooden Nickels – Nobody But You (Omen)
West-Coast classic. Also released on the Vault label, being its second release.
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REVIEW #4

The Penetrations – Sweet, Sweet Baby / Champagne (Teri De)
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The Penetrations – Sweet, Sweet Baby / Champagne (Teri De)
West-Coasts most wanted label. Only five Pink Teri De’s on the label discography, one of them being this number by The Penetrations. Great double sider. Many prefer the “Champagne” b-side. Although Sweet, Sweet Baby is the side that does it for me. Both sides share almost exactly the same backings. Produced by the man himself, Len Jewell, arranged by Godoy Colbert. With a pedigree this good the outcome was a predictable one...sheer quality. Why this record never sold is beyond me, even Loma picked up on it & tried giving it another push on their label, sadly to no avail.

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REVIEW #5
Kenny Wells – Isn’t It Just A Shame (New Voice)
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Kenny Wells – Isn’t It Just A Shame (New Voice)
As far back as I can remember I’ve always loved this song. It’s a perfect way to either start your DJ set, or end it. Phenomenal!
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REVIEW #6
Edward Hamilton – Call Me / I’m Gonna Love You (Carrie)
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Edward Hamilton – Call Me / I’m Gonna Love You (Carrie)
The super rare orange labeled Carrie is its very first release (as pictured). Followed by “I’m Gonna Love You” released without “Call me” on the b-side; Mary Jane records (slightly different take to the Carrie version); Later came the re-release of “Call me/ I’m Gonna Love You” on the Jameco label. Then, in the mid 70s, Carrie decided to give the record another go and re-released both sides on a green label Carrie (legitimate second issue, as with Clifford Binns on green Carrie).
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REVIEW #7
The Royal Five – Say It to My Face (Tyler)
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The Royal Five – Say It to My Face (Tyler)
This record is what it’s all about to me. It was a mission to get a copy, and I managed to do it. Outside of the Young Brothers - Soul Power (Sadly I don’t own) I have to say this is my favorite record. I can admit it’s a bit messy… but most of the good ones are. Have a listen to the sound clip and judge for yourself...The label's pretty cool too.
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REVIEW #8
The Triumphs – I’m Coming To Your Rescue (Okeh)
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The Triumphs – I’m Coming To Your Rescue (Okeh)
My favorite record out of all the Okehs.
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REVIEW #9
International G.T.O.’s – I Love My Baby (Rojac)
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International G.T.O.’s – I Love My Baby (Rojac)
There I stood, about 8 years old, at a record convention in London England, I’d just lugged 10 heavy record boxes up two flights of stairs for my father. He was then kind enough to give me a quick break and allowed me to go look around the record stalls. “Find me some Reggae” he said – ha-ha. Ten Minutes later I came bombing up to him with a copy of this record clenched in my hands. “Look Dad… look what I just found… four quid!” I then had the news broken to me "It doesn't have a Bell Sound stamp in the dead wax, take it back". Oh well… twelve years later I found a real one.
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REVIEW #10
The Tomangoe’s – I Really Love You (Washpan)
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The Tomangoe’s – I Really Love You (Washpan)
Out of Detroit, MI. The sound clip says the rest.
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REVIEW #11
Sam Green - It's Time To Move (Goldsmith T.C.B.)
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Sam Green - It's Time To Move (Goldsmith T.C.B.)
I know basically zero about this record. I recently found it while rooting through a record store in L.A. I risked my 3 bucks, took it home, played it, and was shocked. A Los Angeles stomper from label owner Cliff Goldsmith-Thunder.
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REVIEW #12
The Ambers – Another Love / Potion Of Love (Smash)

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The Ambers – Another Love / Potion Of Love (Smash)
A masterpiece, that's finally starting to get some proper attention. Both sides are equally as good.
Hitsville
REVIEW #13
The New Wanderers – This Man In Love (Ready)
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The New Wanderers – This Man In Love (Ready)
A few years back you could pick one of these up fairly cheap. Now people have finally realized what a good record it is, and in collections they have gone. Rarer than people think.
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REVIEW #14

The Malibus – Gee Baby (I Love You) (Sure Shot)
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The Malibus – Gee Baby (I Love You) (Sure Shot)
Great record, great vocal, great backing, but a terrible, low recording. Once you've turned the decks up, this little monster really goes some. Sounds great back to back with Billy Hambric.
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REVIEW #15
The Servicemen - Connie (Chartmaker)
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The Servicemen - Connie (Chartmaker)
The flip side to Sweet Magic. I personally love both sides, and certainly, to my ears, one of the best double siders to come out of Los Angeles, CA. Same group as the Wind Hit / Patheway 45's, but with a different lead singer to the other releases. I remember asking my Dad years ago "If you had a chance to go back in time and see any Soul group from the 60s perform, who would it be?". His reply was "The Servicemen". Now Ten years later I couldn't agree more. Sounds daft really, but what I wouldn't give to be able to stand there today and listen to them recording "Connie."
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REVIEW #16
The Soul City – Who Do You Think You Are (Good Time)
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The Soul City – Who Do You Think You Are (Good Time)
Although quite well known on the scene, it doesn't get played. Why? I don't know. Amazing dancer. It's that Bass backing singer that does it for me. Very unique sound in that respect. Pictured, is the record's East Coast release (Cameo-Parkway Distributed). It was also given a release on the West Coast. Same label but different design.
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REVIEW #17
Lewis Clark & The Explorers – I Need Your Lovin’ So Bad (Tiger Town)
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Lewis Clark & The Explorers – I Need Your Lovin’ So Bad (Tiger Town)
A very basic sounding record, that just happens to work perfectly. Ten points for this one.
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REVIEW #18
Fred & The Turbins – Bernadine (Cenco)
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Fred & The Turbins – Bernadine (Cenco)
I nearly had a heart attack when I found this! One of the rarest Soul 45's to come out of the West Coast. Fred Stamps on leads vocal. Same group as the Turbines on the same label but with a different lead singer (notice the spelling mistake of the groups name on Bernadine). I could type for hours about this record, so I’ll let the sound clip say the rest...
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REVIEW #19
Ike & Tina Turner – Somebody Needs You (Loma)
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Ike & Tina Turner – Somebody Needs You (Loma)
Don't let the artists put you off! This records pure class, and may I add it's a two in one deal. You've got the famous backing of “Lighten up” (Larry Atkins/ Ty Karim) with the lyrics of Darrell Banks’ “Somebody somewhere needs you”. With that combination you know it's gonna be a good one.
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REVIEW #20
Trade Martin - She Put The Hurt On Me (Stallion)
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Trade Martin - She Put The Hurt On Me (Stallion)
Not a bad record for a young, white, Country singer. Trade recorded many records on labels such as Coed, RCA Victor, etc. But as far as I know, this is the only decent one he put out. apart from one or two on the RCA label, which personally I think are rather weak compared to this track. Approximately a year ago I had another record on the label by The Luvs. If I remember correctly it was one number below this cut. That's the only other track I've personally seen on this label.
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